Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmovitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist. [1] Her work explores body art, endurance art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. [2]

2023年10月3日 · Abramović changed culture with her performance art and at 76, is still creating a storm. She talks to Lillian Crawford about breaking taboos, and how some of her work could no longer be...

2025年1月15日 · Marina Abramovic, Yugoslav-born performance artist known for works that tested the endurance and limitations of her body and mind. Her notable projects include Balkan Baroque (1997), The House with the Ocean View (2002), and The Artist Is Present (2010). Learn more about Abramovic’s life and career.

2024年3月13日 · Marina Abramović was the daughter of communist partisans in Yugoslavia who held high governmental positions in Tito’s dictatorial regime. As the country has since split up into seven countries, she would technically be considered Serbian.

2021年1月12日 · Known as the “grandmother of performance art,” Marina Abramović is a living legend with a career that spans more than 60 years. When she first emerged in the early '70s, she changed the perception of performance art and invited people to question what is considered art.

Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmovitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist. Her work explores body art, endurance art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind.

Marina Abramović's work is typical of the ritualistic strain in 1960s performance art. It often involves putting herself in grave danger and performing lengthy, harmful routines that result in her being cut or burnt, or enduring some privation.

Marina Abramovic, born in 1946 in Belgrade, Yugoslavia, is without question one of the seminal artists of our time. Since the beginning of her career in Yugoslavia during the early 1970s where she attended the Academy of Fine Arts in Belgrade, Abramovic has pioneered the use of performance as a visual art form.

2025年2月25日 · Marina Abramovic, seated, read aloud from a manifesto, shaded from the sun by the Guggenheim Museum’s curator at large of Latin American art, Pablo León de la Barra.

6 天之前 · Marina Abramović’s The Artist is Present was neither painting nor sculpture or even anything in between. Perhaps its best-fitting label was ‘performance art’, but even then, it was arguably too fleeting, ephemeral, and fluid to be a “performance” per se. This artwork was a true full-body and mind experience, which is why it sent shockwaves across the globe.