2019年12月23日 · But nothing wrong with the major 7 as Cmaj7 is a major seven chord, i.e. it is not a b7 which implies it could be part of a minor chord, R-b3-5-b7 or part of a dominant seven …

2005年3月8日 · This is somewhat misleading Cmaj7 means C (major) - with a major 7th (maj7). C means C (major) C7 means C (major) - with a minor 7th (dominant 7th) or mixolidian mode.

2007年3月4日 · CM7 or CMaj7 is different; Maj doesn't refer to the quality of the chord but to the seventh. '7' just by itself is assumed to be dominant (minor), so C7 is understood as above, …

2008年6月13日 · Cmaj7 and C major 7 are the same thing. Here are the notes included with the intervals for the 3 type of 7ths you were talking about: C7 = C dominant 7 = C (r), E (3) , G(5), …

2013年3月13日 · Question- I m relatively new to theory so please bear with me but I m a little confused by this. When someone tells you that a certain chord is for example Cmaj7, they are …

2006年6月9日 · Am7/D7/Gmaj7/Cmaj7 The D triad from the second measure can be played again over the Gmaj7 (as the 5-7-9) and again over the Cmaj7 as the 9-#11-13. In this example you …

2020年6月2日 · B7 and F7 are not Maj7 chords so what I posted wouldn't apply. Then there is also the concept of the passing tone. I apologize for misunderstanding. I thought you meant …

2002年3月16日 · Learning that your example is a jazz-style backing track makes a lot of sense. Secondary dominants are very common in the jazz style. If you want to take this concept to the …

2005年5月23日 · |Cmaj7 Dm7|Em7(b5) A7|Dm7|G7| that way, the Em7(b5) A7 is a true resolution to Dmin (and you can the use the D harmonic minor over the entire E-7 A7) - but the trouble …

2011年12月16日 · Learn the CMaj7 arpeggio on the 8th fret. Learn it all the ways Scott shows in the video lesson. Most importantly, say every single note as you play it. You have to do this. …