Khan's music continues to evolve, and his quest to take the guitar into an uncharted trajectory has bestowed him with a singular style. No one plays or sounds like Steve Khan, his clever interpretations of jazz compositions shaken up with Afro-Caribbean rhythms is …

In August of 1998, Steve toured Japan as part of Dave Samuels' "Tribute to Cal Tjader" Group. The tour was to have far reaching consequences as it was here that plans were made for Steve, Dave Samuels and Dave Valentín to become the co …

No one plays or sounds like Steve Khan, his clever interpretations of jazz compositions shaken up with Afro-Caribbean rhythms is always on the cusp. He is the inquisitive jazz musician mastering the evasive art of reinvention and improvisation on his own terms, in his own time."

Known in the U.S. as "BLADES," Steve Khan, Anthony Jackson, Steve Jordan, and Manolo Badrena, recorded live in Tokyo during their very first 'live' performance.

Guitarist Steve Khan is the son of famed lyricist Sammy Cahn, best known for his four-time Oscar-winning songs, including the famous song "Three Coins in the Fountain," and his most enduring "Let It Snow!

Latin and Afro-Cuban polyrhythms permeate guitarist Steve Khan 's latest recording, Backlog (Tone Center). The album places Khan's supple leads out front of a sterling sextet -- which accommodates several guests, as well -- as he interprets a variety of material, from jazz standards to more obscure material.

This Steve Khan solo transcription, from the recently released BACKLOG (Tone Center) album, is the seventh and final one in the series. What Rob Mounsey added with his arranging and orchestrational talents to Steve's original arrangement became one of the album's true highlights.

I have always believed, since I first began to buy and listen to LPs during the '60s, that an album was not just a collection of songs, but that, in some form, the artist had a particular story that he/she wanted to tell, and that that story ran from start to finish. Of course, in the LP Era, there was always an interruption in the middle, as one had to turn over the LP from side 1 to side 2 ...

Steve Khan: Reflections on Steely Dan's "GAUCHO" [1] Could you talk about your experiences recording so much of "GAUCHO" with Steely Dan? Were you surprised that they called you for these hugely important recording sessions?

Admirado y querido por seguidores de varios estilos jazzísticos, como el "straight ahead", la fusión y otros, Khan - nacido en Los Angeles en 1947 pero radicado hace años en Nueva York - le ha dado rienda suelta en sus más recientes grabaciones a su amor por el jazz latino.