Glory be to God for dappled things – For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim;…

‘Pied Beauty’ celebrates God’s creation of diverse, contrasting beauty in nature, highlighting the splendor of variegated patterns. Gerard Manley Hopkins is one of the most important poets of the Victorian era. He also worked as a Jesuit priest.

The best Pied Beauty study guide on the planet. The fastest way to understand the poem's meaning, themes, form, rhyme scheme, meter, and poetic devices.

Whatever is fickle, freckled (who knows how?) Praise Him. This poem is in the public domain.

"Pied Beauty" is a curtal sonnet by the English poet Gerard Manley Hopkins (1844–1889). It was written in 1877, but not published until 1918, when it was included as part of the collection Poems of Gerard Manley Hopkins .

A summary of “Pied Beauty” (1877) in Gerard Manley Hopkins's Hopkins’s Poetry. Learn exactly what happened in this chapter, scene, or section of Hopkins’s Poetry and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.

2018年12月10日 · Glory be to God for dappled things— For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches’ wings; Landscape plotted and pieced – fold, fallow, and plough; And àll tràdes, their gear and tackle and trim. All things counter, original, spare, strange; Whatever is.

While “Pied Beauty” is roughly in pentameter—with five beats per line—the metrical feet vary and the words often create surprising, elaborate rhythms. “Fresh-firecoal” builds up to a pair of dactylic phrases: “chestnut-falls; finches’ wings.”

2016年6月8日 · Hopkins’s poem is a celebration of ‘pied’ things and the beauty of pied things: that is, things that are made up of two different colours, often containing black and white or dark colours with light colours. These ‘dappled things’ exist thanks to God, says Hopkins: they all reflect his creation.

Written in 1877 but published posthumously in 1918, Hopkins fittingly wrote this hymn the year he was ordained as a Jesuit priest. Appreciating the inconsistencies in nature that God has created...