In music, Op. 5 stands for Opus number 5. Compositions that are assigned this number include: Barber – The School for Scandal; Beach – Mass in E-flat; Beethoven – Cello Sonatas Nos. 1 and 2; Berlioz – Requiem; Brahms – Piano Sonata No. 3; Chausson – Viviane; Chopin – Rondo à la mazur; Corelli – Twelve Violin Sonatas, Op. 5

Suite No. 1 in G minor (or Fantaisie-tableaux), Op. 5, is a suite for two pianos written by Sergei Rachmaninoff. The suite was a musical depiction of four poems written in the summer of 1893 at the Lysikof estate in Lebeden, Kharkov. [ 1 ]

Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. While there, Beethoven met the King of Prussia Friedrich Wilhelm II, an ardent music-lover and keen cellist.

Webern composed his Five Movements for String Quartet, op. 5 in 1909, at the height of his atonal period, and dedicated it to the memory of his revered mother. He later revised the work in 1929, recasting it for string orchestra. It is a complete example …

Rondo à la mazur in F major, Op. 5; マズルカ風ロンド; Rondò a la Mazur op. 5; Rondó a la mazur; Rondo op. 5 (Chopin) Name Aliases ロンド・ア・ラ・マズル; マズルカ風のロンド; ロンド・ア・ラ・マズール: Authorities WorldCat; Wikipedia; VIAF: 175039491; LCCN: n87800216: Composer Chopin, Frédéric

6 Keyboard Sonatas, Op.5 (Bach, Johann Christian) This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.

These seven sonatas are astonishingly undervalued, with no currently listed recording of the complete set. Perhaps they’re suspect because so many movements are self-borrowings, but this practice often signalled affection for the source rather than casual plagiarism.

Trio Sonatas, Op.5 (Handel, George Frideric) This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.

Symphony No. 5 in C Minor Op. 67 · “Fate Symphony” Perhaps the most recognizable four-note motif in all of classical music—da-da-da-dah—launches Beethoven’s compact and punchy Fifth Symphony, first heard in Vienna in 1808.

Something of a keyboard virtuoso, J.C. Bach was the first to champion the newly invented fortepiano in concert, and his set of Six Sonatas Op.5 (1766) – the subject of this engaging release – was the first publication to mention both the fortepiano and harpsichord as performance options on the title page.