2010年10月27日 · We'll name it Land Texture. Go to Edit -> Fill and select 50% Gray from the dropdown box. Click OK and the Texture layer will be filled with a flat gray color. 8. Go to Filter -> Render -> Lighting Effects. Enter the settings below, and make sure the Texture Channel box is set to Alpha 1, or whatever you chose to name the alpha channel.

2009年3月23日 · STEP 3: Paint the high regions of the mountains in a lighter color. These will be the areas where your mountainpeaks will be highest. This can also be done after you paint the mountain peaks, adapting them to how it turns out. Paint these in the same layer. STEP 4: Add some texture with "Pattern overlay", something resembling stone or mountains.

2009年4月2日 · The same method can be used to provide light and shade to general maps and is something I use very regularly. Let us say that you have an image with the colours that you want in the right place. Here I have an image with a grass texture blurred into brown and then light brown-grey to designate a mountain range: 11962 Now this looks very flat.

2017年10月10日 · At the same time I made it seamless but thats an optional stage. Then I apply that mountain height map texture with a mask against my created by contour base texture where I want the mountainous bits. So I can paint 3D mountains by painting the 2D mountain mask using a normal image editor. You can repeat that process with other terrain types too.

2009年12月28日 · The issue is that mountain ranges tend to have a texture that's related to their direction. It's because most mountains are folded or uplifted in such a way that cracks form along the length of the block. This technique uses an isotropic noise and modulating it by the mountain chain locations doesn't affect that.

2009年4月14日 · Select one of the land texture layers, so you can see embossed land on a smooth ocean. Switch back and forth between the texture layers of the two lowest "elevations" and see which one you like best. Label your favorite "Land Texture", label its corresponding cloud layer Land, and pause for a moment to feel godlike in your world-building genius.

2010年3月5日 · That gives one overall colour to the piece and some texture. Then I use a soft light or overlay layer above and some low opacity brushes to lay in the colours. Finally andother overlay layer and a dark blue to place the shadows then a very light yellow to place the highlights - with a more saturated yellow for the areas directly lit by fire (or ...

2017年7月4日 · It would remove all the white. Then you have the outline of the mountain. Just merge the Multiply layer down then and you can start colouring the thing. EDIT: (Just for interest sake, these are the type of brushes I would use for creating that chalk and rough texture on mountains and cliffs. (All are free brushes found on the internet.

2009年3月18日 · This tutorial is an attempt to explain the mountain style I have used in the March challenge entry. It assumes a working knowledge of Wilbur and the Gimp. I will follow a step-by-step procedure spread over several posts. In this tutorial the syntax ">>" will be used to denote the selection of menu and sub-menu items. Step1: Creating the ...

2016年11月5日 · Making the mask by hand is a lot easier than making the whole mountain. So not procedural at all but it looks very realistic since it came from real world height map data in the first place. You can keep several types of seamless real world data sets for different types of terrain that way.