Los Caprichos | Pomona Museum
First published in 1799, Los Caprichos exposed the vice and corruption that led Spain to be branded as "Black Spain" in the eighteenth and nineteenth centuries.
Los Caprichos. - Library of Congress
Los Caprichos (The caprices or whims) is the first of four large series of engravings done by Francisco de Goya (1746-1828), together with Los desastres de la guerra (The disasters of war), La tauromaquia (Bullfighting), and Los disparates (The follies).
The Caprices (Los Caprichos), plates 1-80 - The Metropolitan Museum of Art
Title: The Caprices (Los Caprichos), plates 1-80. Series/Portfolio: Complete set of the first edition. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux) Date: 1799. Medium: Etching, aquatint, drypoint, and burin. Classification: Prints. Credit Line: Gift of M. Knoedler & Co., 1918. Object Number: 18.64(1-80)
Goya’s Caprichos | NGV
In Los Caprichos Goya gave free reign to the dreams and nightmares that had pursued him during his illness and his fatal encounter with the Duchess of Alba. He meant them as satiric denouncements of the ignorance, uselessness and vanity of the society in which he lived.
Los Caprichos | work by Goya | Britannica - Encyclopedia Britannica
In Los caprichos, a series of 80 etchings published in 1799, he attacked political, social, and religious abuses, adopting the popular imagery of caricature, which he enriched with highly original qualities of invention. Goya’s masterly use of the recently developed technique of aquatint for tonal effects…
FRANCISCO GOYA: LOS CAPRICHOS
Enigmatic and controversial, Los Caprichos was created in a time of social repression and economic crisis in Spain. Influenced by Enlightenment thinking, Goya set out to analyze the human condition and denounce social abuses and superstitions.
Caprichos | Goya Museum Ibercaja Collection
Caprichos (caprices) Prepared between 1796 and 1798 and published in 1799, this series consists of 80 prints and marked Goya’s establishment as an engraver. They appeared at a crucial time in the history of Spain, when the crisis of the Antiguo Régimen began.
Plate 43 from "Los Caprichos": The sleep of reason produces …
This is the best known image from Goya's series of 80 aquatint etchings published in 1799 known as 'Los Caprichos' that are generally understood as the artist's criticism of the society in which he lived.
Goya/Los Caprichos - Yale University Art Gallery
The 80 prints of Los Caprichos were etched during the years 1797–98 by the Spanish artist Francisco de Goya (1746–1828). Not only did they make up Goya’s first and largest series of images, but they were his most satiric and socially critical.
Francisco Goya, The Sleep of Reason Produces Monsters
Los Caprichos was a significant departure from the subjects that had occupied Goya up to that point––tapestry cartoons for the Spanish royal residences, portraits of monarchs and aristocrats, and a few commissions for church ceilings and altars.
- 某些结果已被删除一些您可能无法访问的结果已被隐去。显示无法访问的结果