Ernesto Nazareth - Wikipedia
Ernesto Júlio de Nazareth (March 20, 1863 – February 1, 1934) was a Brazilian composer and pianist, especially noted for his creative maxixe and choro compositions.
Ernesto Nazareth: the incarnation of the Brazilian soul
2016年8月17日 · Ernesto Júlio de Nazareth (pronounced Nazaré; 1863 – 1934) was one of the first Brazilian composers to successfully integrate African-Brazilian rhythms into European genres such as waltzes, polkas, marches and quadrilles to produce an expressive, quintessentially Brazilian sound, full of bouncy syncopations, harmonic sophistication and ...
Ernesto Nazareth – Wikipédia, a enciclopédia livre
Ernesto Júlio de Nazareth (Rio de Janeiro, 20 de março de 1863 — Rio de Janeiro, 1 de fevereiro de 1934) foi um pianista e compositor brasileiro, considerado um dos grandes nomes do maxixe, este apontado, desde os anos 1920, como um subgênero do choro.
Ernesto Nazareth (1863-1934) – Choro Pioneer - marilynn mair
Of all the early choro composers, Ernesto Nazareth (1863-1934) was certainly the most influential. Hector Villa-Lobos (1887-1959) called him, “the true incarnation of the Brazilian musical soul.” Nazareth was born in Rio de Janeiro on March 20th, 1863.
Nazareth, Ernesto (1863–c. 1934) | Encyclopedia.com
Ernesto Nazareth (Jú lio de Nazareth; b. 20 March 1863; d. ca. 2 February 1934), Brazilian salon pianist and composer. Nazareth's father, Vasco Lourenzo da Silva Nazareth, was a customs official, and his mother, Carolina Augusta Pereira da Cunha, a …
Ernesto Nazareth - Musica Brasilis
Ernesto Nazareth. One of the first Brazilian composers to cross the boundary between classical and popular music, he wrote mainly for his instrument, the piano. His work is remarkably original with respect to style and rhythmic invention. All his 211 pieces are available in this website.
Nazareth, Ernesto (1863 - 1934) - Piano Society
2016年1月5日 · Ernesto Nazareth is often thought of as the "Brazilian Scott Joplin". The two composers had much in common. Both composers grew up in societies with dual musical cultures; Joplin with the imported Western European tradition and Afro-American culture; Nazareth with the same Western European tradition and Afro-Brazilian culture.