Symphony No. 4 (Dvořák) - Wikipedia
The Symphony No. 4 in D minor, Op. 13, B. 41, is a classical composition by Antonín Dvořák. Dvořák composed his fourth symphony between January and March 1874.
Dvorak Symphony no. 4 / LSO, Istvan Kertesz (2016) - YouTube
2018年5月8日 · Symphony No.4 in D Minor, Op.13, B.4112 1. Allegro 12'4613 2. Andante sostenuto e molto cantabile 11'1914 3. Scherzo (Allegro feroce) 6'2115 4. Finale (Alleg...
Antonín Dvořák - Symphony No. 4 in D-Minor, Op. 13 - YouTube
2017年11月24日 · I. Allegro (00:00)II. Andante sostenuto e molto cantabile (12:36)III. Scherzo: Allegro feroce (24:13)IV. Finale: Allegro con brio (30:55)Conductor: Jiří Bělo...
Symphony No.4, Op.13 (Dvořák, Antonín) - IMSLP
⇒ 4 more: 1. Allegro • 2. Andante sostenuto e molto cantabile • 3. Scherzo: Allegro feroce • 4. Finale: Allegro con brio
Symphony No.4 in D minor, Op.13 (Dvořák) - III Mov. Scherzo - YouTube
2020年10月14日 · Symphony No.4 in D minor, Op.13 (Dvořák, Antonín) - III Mov. Scherzo - "Allegro feroce"Orquesta y Coro RTVEJosé Miguel Pérez-Sierra, conductorVer menos
DVORAK'S SYMPHONY NO. 4 IN G MAJOR, OP. 88 "THE NEW …
2018年7月2日 · DVORAK'S SYMPHONY NO. 4 IN G MAJOR, OP. 88 "THE NEW WORLD" WALTER, BRUNO (CONDUCTOR). THE PHILHARMONIC-SYMPHONY ORCHESTRA OF NEW YORK.
Dvořák’s Symphony No. 4 | History & Recordings - Interlude
Read and learn about the compositions and premiere of Dvořák’s Symphony No. 4, which reflects the composer’s interest in Richard Wagner and his music.
Symphony No. 4 in D Minor, Op. 13, B41 | Antonín Dvořák
The first representative of this period is Symphony No. 4 in D minor. In view of the fact that the work is attributed the same key as Symphony No. 7, the Fourth is sometimes given the subtitle “Little”, to distinguish it from the heroic “Great” seventh symphony. formal structure and content
Symphony No. 4 in G Major, Op.88 : Antonín Dvořák - Archive.org
Symphony No. 4 in G Major, Op.88 by Antonín Dvořák; Concertgebouworkest; George Szell
Antonin Dvorak Symphonies 3 and 4 - MusicWeb International
The voice of the mature composer is heard more clearly in No.4: from the opening the first movement is unmistakeably Dvořákian with its interplay of two themes. Even his toying with Wagner in the slow movement is subsumed into a personal statement.