The Saint Matthew, by Michelangelo. When Michelangelo had left for Rome slightly less than a year before, in March 1505, he was still the head of a demanding commission to produce a series of sculptures: the twelve Apostles for the Florentine Cathedral, commissioned by the Opera di Santa Maria del Fiore and the Wool Guild.

Saint Matthew is a marble sculpture of Matthew the Apostle by Michelangelo. It was intended for a series of twelve apostles for the choir niches of Florence Cathedral, but was left unfinished in 1506 when Michelangelo moved to Rome to work for Pope Julius II. It is currently part of the collection of the Galleria dell'Accademia in Florence.

In 1503, Michelangelo received a commission to carve statues of the twelve Apostles for the Florence Cathedral. The only one that he ever started working on was, however, the St Matthew. Called to Rome by Julius II shortly after he began, it was the …

The artwork, “St. Matthew,” is a sculpture created by the renowned artist Michelangelo around the year 1506 in Florence, Italy. This piece belongs to the High Renaissance art movement and is currently housed in the Galleria dell’Accademia di Firenze, Florence, Italy.

Michelangelo's St Matthew is a marble sculpture created in 1505-6. The 271 cm tall sculpture was originally planned to be one of a group made up of all the Apostles and destined for niches of the choir of Florence Cathedral.

The figure of St Matthew is torqued around its central axis, a spasm of movement far different from the quite traditional pose of Michelangelo's David.Even in its unfinished state, Matthew's massive musculature suggests a deep reservoir of pent-up energy and divine inspiration.

2018年10月19日 · ‘St. Matthew’ was created in c.1506 by Michelangelo in High Renaissance style. Find more prominent pieces of sculpture at Wikiart.org – best visual art database.

The figure of St Matthew is torqued around its central axis, a spasm of movement far different from the quite traditional pose of Michelangelo's David.Even in its unfinished state, Matthew's massive musculature suggests a deep reservoir of pent-up energy and divine inspiration.

The saint's body looks like it's twisting, as if driven by an extraordinary internal force that seems to drag it upwards. A step at the lower left of the sculpture forces the figure to bend a leg, while the other remains extended.

The saint's body looks like it's twisting, as if driven by an extraordinary internal force that seems to drag it upwards. A step at the lower left of the sculpture forces the figure to bend a leg, while the other remains extended.