8½ (Italian: Otto e mezzo [ˈɔtto e mˈmɛddzo]) is a 1963 comedy drama film co-written and directed by Federico Fellini. The metafictional narrative centers on Guido Anselmi (Marcello Mastroianni), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film.

Fellini's 8 1/2 opens with a stunning dream sequence in which a man is trapped in his car in the middle of a traffic jam. The doors and windows are locked and there is no escape. Other drivers simply sit and stare at him passively.

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2000年5月28日 · “8 1/2” is the best film ever made about filmmaking. It is told from the director’s point of view, and its hero, Guido (Marcello Mastroianni), is clearly intended to represent Fellini. It begins with a nightmare of asphyxiation, and a memorable image in which Guido floats off into the sky, only to be yanked back to earth by a rope pulled ...

1993年5月7日 · It’s out on video, but it’s so big and rich it deserves to be seen on the big screen, and this 30th anniversary revival may be your last chance for a long time. “8 1/2” routinely places high on those polls that ask critics and directors to list the 10 greatest films of all time.

One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a …

One day he meets Claudia, a young actress who is the physical embodiment of the dream woman of his fantasies. When she turns out to be vain and stupid, the disillusioned Guido becomes even more paralyzed by apathy.

2024年8月15日 · One of 8 1/2’s most iconic scenes, seeping into pop culture influencing everyone from Godard to Tarantino. With pressure mounting on Guido from every side at this spa resort, Fellini keeps up a persistent anxiety in his jarring visual whiplash and frenetic classical musical cues drawn directly from the works of Wagner and other classical ...

2010年3月21日 · Criterion truly out did themselves with Fellini's masterpiece 8 1/2. Not only is the digital transfer stunning, but it's also loaded with extras. The anamorphic widescreen (aspect ratio 1.85:1) has few noticeable artifacts and looks extremely vibrant.