Payal Kapadia is now gearing up for the British Academy Film Awards (BAFTA) 2025 as the movie has been nominated in three ...

Shekhawat’s ego is rooted in authority, while Pushpa’s stems from a demand for equality. Even the final stretch, though it didn’t work for me (just like it didn’t in the first film), draws ...

Of course the exercise is still an ego trip. The semi-fictionalised protagonist is puffed up with a class of self-importance that might well lead him to make this very film. Ego is here as much of ...